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Learn About Conservation

This six-minute documentary explores a behind-the-scenes look at how the Museum cares for its collections. During a routine condition survey of Reynolda's paintings collection, contract conservator Ruth Cox found Grant Wood's Spring Turning, 1936, to be in need of attention. A heavily yellowed varnish layer and large traction cracks in the surface of the painting indicated the need for treatment. The Museum was awarded a grant from The Henry Luce Foundation for the treatment of the Wood painting along with several other masterpieces in the collection. The video gives viewers a general idea of the process that takes place over months of treatment by a skilled conservator.



The care and preservation of the Reynolda House collections is one of the cardinal responsibilities of the Museum and is an integral part of our mission.  The practice of conservation has evolved over the centuries, and as conservators have come to understand the chemical processes underlying their treatments, they have become more conservative in their approach, namely, that every treatment should be reversible.  The emphasis in conservation today is on the idea of prevention of deterioration through control of the environment, in climate, storage and exhibition – this approach is called Preventative Conservation.  Although the Museum lacks a conservation department, our Collections Management Department is responsible for the overall care of the collection and we practice a preventative conservation program in accordance with standards of the field.  Period surveys by well-qualified conservators help us assess the condition of works and prioritize a schedule of treatment.  Donations and our Membership Program allow us to properly care for the collections for future generations.

Images of the conservation treatment of Spring Turning, in conservator Ruth Cox's studio.




 

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Reynolda House Museum of American Art | 2250 Reynolda Road, Winston Salem, NC 27106 | (336) 758-5150